Showing posts with label beauty. Show all posts
Showing posts with label beauty. Show all posts

Thursday, April 28, 2011

Mocha Cioccolata Yaya

Oh, Augustus Gloop, ruiner of childhood's peaceful sleep. Your movie demise has kept so many of the world's therapists gainfully employed since 1971.



 But I'd be lying if I didn't admit that I too crave the dark stuff.

This week especially. I'm detoxing from last week's See's and Cadbury binge, and last month's run-in with the Girl Scouts and their tasty baked goods. Newly back to my paleo ways, I find myself missing sugar a lot today. I'm all out of coconut milk so there will be no nice cup of chocolat chaud. Instead I'm mixing up a little body scrub that I use with skincare clients and rarely think to make for myself. It's a perfect treat for my intention to care for myself as thoughtfully as I try to care for others; to take the long view and do what is best for my body, not just what seems tastiest at the moment. As nice as a piece of something sweet would be, there is something more satisfying about trimming down and having beautiful skin. So tonight it's a mini spa night for me.


This scrub is so delicious and it does such gorgeous things for the skin. It should only be used for the body, not the face. I shared it on my business blog last winter and I'll share it here now with my wishes for a very delightful evening.

Rich organic oils soften while the chocolate's high antioxidant content nourishes tired, rough skin. Espresso temporarily lessens the look and feel of cellulite. And the scent? Pure heaven.

Ingredients:

1/2 cup coconut oil
1/8 cup half and half
1/8 cup coarsely-ground espresso
2 tablespoons macadamia nut oil
1 tablespoon unsweetened cocoa powder (tonight I am substituting ground raw cacao nibs for higher antioxidant content, because I happen to have them on hand.)
1 teaspoon vanilla extract (alcohol-free)
10 drops sweet orange oil

Feel free to play around with ratios. If you like a scubbier scrub, decrease your liquids and add more espresso. If you prefer something less invigorating, add less espresso and more oil. Additional macadamia nut oil is excellent for aging skin in need of rejuvenating. Less scrub and additional half and half is great for sensitive skin, or substitute with heavy cream.

Obtain all organic ingredients whenever possible. Coconut butter will be solid at room temperature, so begin by melting this, still in the bottle or jar, in a container of hot water. When softened, mix all ingredients and use right away. Cap leftovers tightly and refrigerate, using the remainder within four days.









Sunday, April 10, 2011

More from Inès and a Beauty Tip from Me

I may have underestimated this book. I've picked it up again this afternoon and I'm enjoying the sound advice.

I have many, many skincare clients who come in to tell my how hideous their skin is when they look at it in the magnifying mirror. That's when I give them

Argentée's Number One Rule for Beauty:
Take your magnifying mirror and give it to someone you don't like.

Similarly, Inès de la Fressange has this to say about Botox: "I pay no attention to wrinkles. I just stand back from the mirror."

Refreshing and delightful! Yes, beauty is fun and socially useful, but shouldn't we have better things to do than obsess in the mirror if all we are doing is looking for reasons to not adore what we see?




Inès writes, "My absolute role model is singer Julio Iglesias. Asked if he was afraid of getting old, he replied, 'But I'm already old.'" The Parisian is more worried about wrinkles at 20 than at 50."

I always tell my skincare clients (many of whom are gorgeous 20-somethings who are terrified of age) that I have no desire for "anti-aging." I mean, not when you consider the alternative! I'm pro-aging. I hope to age a very long time. But we can fight it and dread it and Botox it, or we can maintain our passions and our hobbies and age beautifully, with grace and health. Isn't that what we're striving for? My hope is that with age comes with the wisdom to not fear it.

Saturday, April 9, 2011

Pas Laide

I'm not as in love with Johnny Depp as seemingly everyone else of my gender but I think he's a better actor than he should be. Conversely, I'm hardly a fan of Angelina Jolie but I admit to being simply awed by her beauty. And I'm not one to turn down breathtaking scenes shot in Venice and Paris. So my plans for tonight after kiddo's bedtime involve hanging out in my pjs with The Tourist.

Below, some images that send my costume and styling envy into overdrive.





And here, a little makeup tutorial that looks like a lot of fun for later tonight. (Right now I am rereading Mikhail Bulgokov's The Master and Margarita. It is an incredible piece of literature but when the opportunity to act single for a night appears, sometimes I just want to girl out.)

On Jolie Laide


While looking for the lyrics to the Serge Gainsbourg song whose lyric lent the title of this blog, I came across an exceptional NYT piece by Daphne Merkin. It was published in 2005 and you can read the full text here.

. . .there have always been those who question the dictates of conventional beauty, whose views of what constitutes a ravishing face range further than either the classical ideal or the ordained images of the cultural moment and who see our reverence for certain types over others as a form of aesthetic provincialism. . . (One) was my Belgian-born grandmother, who looked irritated whenever I, an insecure girl loitering on the edges of adolescence, asked her whether she thought I was pretty. "Pretty?" she'd ask. "Who wants to be pretty?" Her blazing blue eyes lit up her wrinkled face with the preposterousness of the wish. "Pretty is silly." I later discovered that no less an authority than F. Scott Fitzgerald, who studied the laws of female comeliness the way others study the laws of physics, agreed with my grandmother regarding the inherent banality of the merely pretty: "After a certain degree of prettiness," he wrote, "one pretty girl is as pretty as another."

I think Proust put it well too. He wrote, "Let us leave pretty women to men with no imagination."

Friday, April 8, 2011

Parisian Chic: A Style Guide by Inès de la Fressange


The blogosphere is abuzz with talk about this cute little new style guide from professional gorgeous person Inès de la Fressange. I picked it up at my local bookstore (for nearly double the price it would have been on Amazon, aye-yee.) I'm not completely wowed by the book but it is entertaining enough. Parisian Chic is full of odd little illustrations and some surprising style advice. I've yet to work my way all the way through but following are some random bits and first impressions:




  •  General style rules include a Magnificent Seven list of wardrobe must-haves that is a bit different from most. Included are a man's blazer, navy cashmere sweater, perfect jeans.
  • Fun advice about what to wear for such events as an art opening, a black tie event, a country weekend and a first date.
  • "For me, a loss of interest in dressing well and wearing make-up is a form of depression."
  • The tuxedo jacket gets a lot of mention in this book. So do leather jackets.  I like to wear my tuxedo jacket for the odd informal-formal occasion, but I doubt Inès had tails in mind when she wrote her rules.
  •  Inès recommends dressing your kid all in black. Accessorize with a bright scarf or coat. Cute!
  • I wish there were photos of Inès herself in the book! She is lovely, and while the book features her beautiful daughter as model, it would have been inspiring to see this gorgeous femme d'un certain age gracing its pages.

The second half of the book is filled with Inès' Paris address book, with recommendations of where to shop, sleep, eat. Being the kind of woman whose Y chromosome somehow missed the shopping imprint, much of the content of these pages was a bit lost on me. But the photography is lovely and the overall impression is creatively inspiring and lush.

The best piece of advice in the book begins this way: "The Parisian never worships fashion idols. She is a fashion icon in her own right. . ."

Read more about Inès de la Fressange on Parisian Chic in this article, in which she says:

'French women don't want to be trendy. They know what suits them. It's more about style than trends. Women should dress up for themselves, not for showing off but to feel better - and if you feel better, you look better.'

Hear, hear.



Tuesday, March 29, 2011

Becoming is a long process.

I wrote the following for the Yahoo French Chic/Je Ne Sais Quoi group in 2004. Seven years later, I am interested in exploring what has come to happen and what can still use work. Here is the essay, an exercise in manifesting my ideal inner self:


Who I am (becoming)

She has finally stopped calling herself a “girl.”  She hasn’t felt like a girl since she was in her teens, anyway; always assumed older because of her height, her throaty voice, her voluptuousness, and the fashion sense leaning toward the styles of her mother’s and grandmother’s generations. Now, entering her 30’s, she is finally coming into her own.

She organizes her life in the old fashion: She takes time with her possessions, gently tending to each lovingly chosen pair of shoes, each carefully ironed garment. After all, she buys new clothing exceedingly rarely, and only after careful consideration of what each piece will bring to her life.  Will it make her feel beautiful, confident, comfortable in her skin? or will it just end up taking up space in her tiny-small closet?  As a result of this careful consideration, her wardrobe is pared down to the basics: Two pairs of tailored, flat-front black trousers; a pair of good-fitting, dark denim jeans; two black skirts (one long and clingy, one sexy and retro-chic, reaching just below the knee, and black, like Marilyn Monroe’s on the poster from “Bus Stop”); a couple of light sweaters, in deep sapphire, black, and crystal blue; one soft, black angora turtleneck, perfect for foggy San Francisco summers; a long fitted coat in supple black leather; a fun black coat in kicky corduroy; a vintage black cocktail dress; a very small handful of scarves and silver jewelry; and a selection of fitted tees in black, grey and white. The tees take her from work to yoga to the gym, which may not be chic but is a necessary bi-weekly ritual to keep her from going from curvy to doughy—a real possibility, given her passion for good food.

Her cooking regimen is as simple as her wardrobe: Fast food, boxed food, and fake food never make it into her kitchen. She prepares her meals only from scratch, using the bounty of fresh ingredients from the little markets in her colorful city neighborhood: Deep, golden olive oil, creamy, whole-fat yogurt and fresh free-range eggs from the Greek market on the corner; fresh gorgonzola, stilton, and pungent black olives from the cheese-maker’s; a deep cabernet or a sweet Riesling from one of the million little vineyards represented in her cozy local wine seller’s shop; sweet plump berries, deep green spinach and fat red tomatoes on the vine from the Korean produce market.  Far superior to the other produce shops in the neighborhood, it is bit up a little hill and farther than other some of the others, but well worth the walk for benefit provided to her calf muscles, her wallet, and her palate. 

Once home with the ingredients of the night’s meal, she leaves her shoes on a rack by the front door and the woven straw bag on the entryway table as she changes into her house shoes (a chic, clean pair of black tapestry slippers brought back from a friend’s trip to Bali years ago.  They’ve never been worn outside; they are simply too delicious to set foot on a city sidewalk. And bien sur, the city streets are filthy in America; why let the outside in to her cozy and clean private abode?).  She admires the painting that hangs above the table: it is large, done in muted grey tones in a formidable wood frame.  She has been paying it off, in small monthly increments, for over a year.  The money helps her friend, the painter, and the piece brings a shock of joy to her every time she passes it. She considers this joy a good investment.

She pads across the honey-colored hardwood floor, over the cushy flokati rug and into the small, white-tiled kitchen. She unpacks the day’s wares onto the sparkling tiled counter.  She washes the vegetables and fruits one by one before storing them in pretty wire and ceramic bowls, ready for use in tonight’s dinner and tomorrow’s lunch.

She prepares the night’s repast.  For her: a lovely spinach salad with blue lake beans, sweet shredded carrots, and cold leftover organic chicken and garlic from last night’s meal, served with a little scoop of red lentils with diced cherry tomatoes on the side.  For him: all of the above, plus a scoop of wild rice with shallots and chanterelle mushrooms, another savory leftover.  They talk about the day, careful to not dwell too long on workaday things, sharing instead their impressions of the books they are reading, the coming election, the environmental action group to which they both give their time.  They linger a bit over a glass of wine before they pack the leftovers into containers to bring to work for lunch the next day.

After dinner, she pours herb-infused oils into a hot bath, which she has drawn for her nightly beauty ritual. She brings her Italian textbook with her to the claw foot tub, along with the language tapes she puts into the bathroom’s little portable stereo, tucked behind a stack of fresh, white folded towels, their tidy plush stacks reminding her of the northern spa she visits twice a year: once in the winter, just after Christmas, and once in the summer, on her birthday.

As she relaxes in the bath, conjugating verbs after the voice on the tape, the herbal mask dries on her face, plumping her skin with fresh organic ingredients that feel wonderful and smell divine. She soaks a bit longer, inhaling the relaxing scent of lavender and lemon balm, practicing the rolling r’s, the musicality of the language that comes more naturally to her—she must admit—than French ever has.  Still, like beauty, intelligence is also pain, and to learn is often to struggle; so she still practices her French, a bit every day.

After the bath, she attends to her face, dissolving the mask with cool water and finishing with a simple swipe of her homemade herb-infused apple cider vinegar.  It is good for her skin type, at a fraction of the cost of a commercial toner.  She flosses, she brushes.  She dabs a bit of sandalwood oil on her pulse points and heads off to bed in a vintage kimono from a flea market years ago.  Tomorrow night she will meet friends for dinner at an inexpensive little Vietnamese noodle place, followed by a band at a local club.  Tonight she is totally happy to be staying in. The bed is warm and covered with soft jersey sheets and a fluffy white eiderdown. She lights a candle and nestles in, grateful for the day.
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